Council on Aging Book Group at Putterham
Place: Temple Emeth, until library renovation is complete.
Time: Mondays 2:00 - 3:30 PM.
Leaders: Jean Kramer and Charlotte Millman
No signup is necessary. Just show up.
Books are available at the Putterham Library approximately one month before the meeting.
Deborah Davis, Strapless: John Singer Sargent and the Fall of Madame X
Mar 15, 2010 Temple Emeth at Putterham Circle
The story behind the legendary John Singer Sargent painting that propelled the artist to international renown but condemned his subject to a life of public ridicule. John Singer Sargent's Madame X is one of the world's best-known portraits. As the Metropolitan's most frequently requested painting for loans, it travels to museums around the globe. The image of "Madame X" decorates book and magazine covers, greeting cards and screen savers. She's even been immortalized as a Madame Alexander doll. Few people, though, know the fascinating story behind the painting. "Madame X" was actually a twenty-three-year-old New Orleans Creole, Virginie Gautreau, who moved to Paris and quickly became the "it girl" of her day. All the leading artists wanted to paint her, but it was Sargent, a relative nobody, who won the commission. Gautreau and Sargent must have recognized in each other a like-minded hunger for fame. Unveiled at the 1884 Paris Salon, Gautreau's portrait did generate the attention she craved-but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting, to outraged Parisian viewers, either the prelude or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home so she would never have to look at herself again. Why had Sargent chosen to portray her in such a provocative manner? Was the painting, with the scandal it generated, the machination of a sexually conflicted man who desired a woman and a lifestyle he could never possess? Drawing on documents from private collections and other previously unexamined materials and featuring a cast of characters including Oscar Wilde and Richard Wagner, Strapless is an enthralling tale of art and celebrity, obsession and betrayal.
Per Petterson, Out Stealing Horses
Apr 12, 2010 Temple Emeth at Putterham Circle
NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, A TIME MAGAZINE BEST BOOK OF THE YEAR, WINNER OF THE IMPAC DUBLIN LITERARY AWARD. Out Stealing Horses has been embraced across the world as a classic, a novel of universal relevance and power. Panoramic and gripping, it tells the story of Trond Sander, a sixty-seven-year-old man who has moved from the city to a remote, riverside cabin, only to have all the turbulence, grief, and overwhelming beauty of his youth come back to him one night while he's out on a walk. From the moment Trond sees a strange figure coming out of the dark behind his home, the reader is immersed in a decades-deep story of searching and loss, and in the precise, irresistible prose of a newly crowned master of fiction.
Paul Scott, Staying On
May 17, 2010 Putterham
In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979.
Edith Wharton, The House of Mirth
Jun 21, 2010 Putterham
Since its publication in 1905 The House of Mirth has commanded attention for the sharpness of Wharton's observations and the power of her style. A lucid, disturbing analysis of the stifling limitations imposed upon women of her generation, Wharton's tale of Lily Bart's search for a husband of position in New York Society, and betrayal of her own heart, transformed the traditional novel of manners into an arrestingly modern document of cultural anthropology. With incisive contemporary analysis, the introduction by a leading scholar of American literature updates this increasingly important work.